«Les mots que je suis». Su “L’heure présente” d’Yves Bonnefoy

The article, after describing in the first part the main traits of Yves Bonnefoy’s poetry and thought, traces the evolution of his poetry through the collections; then, in the second part, it focuses on the anthology L’heure présente (2011) seeing it as a “summa” of Bonnefoy’s poetic thought, between poetry and prose. The article points out, in the poem from which the title is taken, the lyrical reflection on the relationship between verse and presence where experiences and culture, figures and evocations as well as naming and voices of hope are involved, in a totally open, inclusive and transitive poetic space